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Live performance, Bayerische Staatsoper, 2011. The Tales of Hoffmann (French: LES CONTES D'HOFFMANN) is an opéra fantastique by Jacques Offenbach that combines three short stories by E.T.A. Hoffmann into a haunting whole: a melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer. One of the questions this opera poses for any director is how to link the 'tales' of Hoffmann's three lost loves together and knit them satisfactorily into the Prologue and Epilogue. In this production, Richard Jones solves the puzzle by turning it into an autobiographical journey which ends with a grand meet-up of all the characters Hoffmann has encountered: for once, Hoffmann is not presented as a rollicking kind of drunken story-spinner, but rather a sad-eyed, sobered-up depressive, who reaches for the bottle only because his disastrous love life has gone wrong yet again.

Miss Anita Liman is the sole owner of a coffee importing company, with offices in Hamburg, Genoa and Santiago. Anita's first competitor Benno Karden would merry her purely for business reasons, but he falls in love with her. Benno has not realized that his lover is a smart competitor. Complications follow.

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Theorie der Erzählung (theory of narration, or narratology) – five lectures on aestetics, held by Alexander Kluge in Summer 2012 at the Johann Wolfgang Goethe University, Frankfurt. Including some short films by Kluge (Minutenfilme) and film excerpts (Abschied von gestern, 1966). With Michael Haneke, Hans-Magnus Enzensberger, Helge Schneider, and others (archive footage). Lecture 1: The rumbling of the swallowed world. The lives and the real Lecture 2: The instruments for text and film. Poetics themselves Lecture 3: Masses of reality, waiting for narration Lecture 4: The irrefutability of narration

The American actor Tony Curtis talks about his career.

Peter Kraus talks about his career.

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